Designing a faroese shawl January 31
Back in July, I posted about the fact that following Tigger’s interests has meant going to church. We have been attending a downtown Anglican church for just over a year now. And Tigger would like to be baptised. So I have promised to knit her a shawl.
Her initial stipulation was that it should be a triangle but we talked about it a bit and she agreed that one like her grandmothers would be nice. I knit my mom the Faroese Flower Shawl by Lucy Neatby a couple of years ago. I think the shaping of Faroese shawls is great and will be particularly suitable for a kid because it stays on the shoulders better.
I have yarn. I bought a skein of laceweight alpaca & shetland from Wild Geese Fibres. It is lovely. And even nicer when the swatch is blocked. (Franklin designed her a great logo, eh?)
I have Stahman’s Shawls and Scarves and have been looking through that but nothing was really clicking with me. And then I realized that both of the faroese shawls I have knit previously (the Neatby one and one designed by Sivia Harding) were designed to emphasise the unique design features of this style of shawl. In particular both do something interesting with the back panel. Stahman is still a useful resource because she has good information about the construction of these shawls (top-down) which will help enormously in the process I am now embarked upon.
My next step was to root around looking for lace patterns. I have a couple of the Walker treasuries out of the library but these have been less helpful than I expected. (A quick glance makes me think they’d be incredibly useful for designing aran sweaters though.) As usual I just leafed through other patterns I had and found a scarf pattern that would work well in the back panel. It also has beads, a bonus if you are 9 (and just a nice touch for a special occasion shawl).
So now I am trying to work out what to put in the rest of the shawl and how to make it work. I was swatching diamond patterns last night. The difficulty was to get one that stacked so that the outside eyelets form a continuous diagonal. The shawl construction is basically two triangles with a panel between them and then another set of increases for the shoulders. But the two sides need to increase along the front edge and the edge of the back panel. I think I have something though I have also discovered that I want to knit this on smaller needles than my 3.5mm Addis. (I like the Addis though, so I might make a trip to the LYS.)
But I’ve also charted out the edge part of the scarf pattern with the idea that I might use it along the front edge and beside the back panel. Like that one row of flowers on the Neatby shawl. Or like this. I like the way that the pattern emphasizes the shaping. I’m going to have to think more about how to incorporate that with another lace pattern.
I’ve also decided to do this as a garter stitch shawl rather than stockingnette. Garter stitch is traditional for faroese shawls (though authenticity is not one of my goals). I’ve been swatching the lace in garter. You don’t get those hard diagonal lines but the diamond shapes still look really nice. With the halo of the yarn, I think it gives a nice soft finish.
I’m really enjoying the process of designing lace. Basically, I draw a lot of circles on graph paper, then fill in the corresponding decreases. I’m working with geometric patterns and I like that. Similar to designing quilts. And I’m taking a similar approach to that I use with quilts. I take a basic building block and try to do something interesting with it.
Here’s an example of a quilt I designed for a friend’s baby several years ago. I started with a basic block sometimes called Milky Way and went from there. I hand quilted it and stitched “Ali’s Galaxy” into the quilting. (excuse the blurriness; I scanned this from the photo album)
I am now way off topic but I’m hoping the quilt gives you a sense of how I play with geometric patterns when designing. If any of you have suggestions for the faroese shawl, shout out. I’ll keep you updated.







